¾®À¡ ÀµÍº




¾®À¡ÀµÍº¡¡Masao Kozumi


¹­¤¤¹©Ë¼¤ÎÊÒ¶ù¤Ë¥·¥ã¥Ü¥ó¶Ì¤Î¤è¤¦¤Ê¾Ë»Ò¤ÎµåÂΤ¬Ìµ¿ô¤ËÀѤ߾夲¤é¤ì¤Æ¤¤¤ë¡£
¤½¤ì¤Ï¤Ò¤Ó³ä¤ì¤Ê¤É·¿¿á¤­¤ÎÀ©ºîÅÓÃæ¤Ç¤Ç¤­¤Æ¤·¤Þ¤Ã¤¿´°À®¤Ë¤Ï»ê¤é¤Ê¤«¤Ã¤¿ÉÊ¡¹¡£

ʸ»úÄ̤ê¤Ë¡Ö·¿¿á¤­¾Ë»Ò¡×¤Ï¿á¤­´È¤Ë¼è¤êÉÕ¤±¤¿ÍϤ±¤¿¾Ë»Ò¤ò·¿¤Ë¿á¤­¹þ¤ßÀ®·¿¤¹¤ëµ»Ë¡¤Ç
¡Ö¿á¤­¾Ë»Ò¡×¤Ç¤Ï½ÐÍè¤Ê¤¤Á¡ºÙ¤Ê¥é¥¤¥ó¤ÎÎÌ»º¤¬²Äǽ¤È¤Ê¤ë¡£
»®¤Ï·¿Äì¤Þ¤Ç¤·¤Ã¤«¤ê¤È²¡¤·Åö¤Æ¤ë¤è¤¦¤Ë¤·¤Æ¾Ë»Ò¤ò¿á¤­¹­¤²¤ë¤È¡¢·¿¤«¤é¤Ï¤ß½Ð¤·¤¿Éôʬ¤ÏµåÂξõ¤ËËĤé¤ß¡¢
·¿¤ËÆþ¤Ã¤¿Éôʬ¤Ï»®¤È¤Ê¤ê¡¢»Ä¤ê¤ÎÉôʬ¤Ï¤Þ¤¿ºàÎÁ¤È¤·¤Æ¥ë¥Ä¥Ü¤ËÌᤵ¤ì¤Æ¿·¤¿¤Ê¾Ë»Ò¤Ë¤Ê¤ë¤Î¤À¤¬¡¢
¾®À¡¤Ï¤½¤Î´°À®¤Ë¤Ï»ê¤é¤Ê¤«¤Ã¤¿ÉÊ¡¹¤ò¹©Ë¼¤ÎÊÒ¶ù¤ËÂçÀÚ¤ËÊݴɤ·¤Æ¤¤¤ë¤«¤Î¤è¤¦¤Ë»ä¤Ë¤Ï»×¤¨¤¿¡£
¤­¤Ã¤È¾®À¡¤Ï¤½¤Î̤´°¤Î¾Ë»Ò¤òį¤á¡¢Ì´ÁÛ¤·¤Æ¤¤¤ë¤³¤È¤À¤í¤¦¡£

¾®À¡¤ÎÀ©ºî¤¹¤ë¾Ë»Ò¤Ë¤ÏÑۤȤ·¤¿·Á¤ËÊ»¤»»ý¤Ã¤¿¡Ö¼ä¡×¤¬´¶¤¸¤é¤ì¤ë¡£¤½¤Î¡Ö¼ä¡×¤¬»ä¤Î¿´¤Î¶×Àþ¤òÀŤ«¤ËÃƤ¤¤Æ¤¤¤ë¡£

In the corner of a large workshop, innumerable glass spheres that look like soap bubbles are piled up. It is pieces with cracks and other defects that happen during the blowing, items that did not reach the completion. ¡ÈMold-blowing¡É is a technique of blowing molten glass placed on the end of the blowpipe, then inflated into a carved mold. Delicate lines and textures that cannot be done with ¡Èblown glass¡É become possible.
When the dish is pressed firmly to the bottom of the mold and the glass is blown open, the part protruding from the mold bulges in a spherical shape, the part entered into the mold becomes a dish and the remaining part should normally returned to the crucible as a material to become a new product. But it seems that Masao Kozumi keep those parts in a corner of the workshop. I am sure that he will look at the unfinished glass pieces and dream about it. His works have a dignified shape combined with quiet simplicity. This quiet simplicity tugged at my heartstrings.

宽ÚÈŪ¹©ºî¼¼Åª³ÑÍîΤÂÏ积ÃåÚÛ¿ôǡƱÈîûµË¢°ì样Ū¾®µå¡£ Õà们À§ºß¿áÀ©ààÍþÀ®·¿¹©艺Ãæ½Ð现λǡ开ÎöÇ·类ŪåþïüŪȾÀ®ÉÊ¡£

À®·¿¿áÀ©ààÍþ¹©艺¡¤ÀµÇ¡»úḬ̀ջ׽꼨¡¤»ØŪÀ§ÇÄ¿á´ÉÁ°Ã¼ÉíÃåŪààÍþ¸¶ÎÁ软²½¹¡¡¤¾­Â¶Êü进ÆÃÄêŪÌ϶ñΤ¡¤¿áÝã»ÈÇ·ËÄ胀À®·¿Åªµ»术¡£ÄÌ过这种µ»术²Ä°ÊÂçÎÌ复À©À¸产½ÐÉáÄÌŪ¿áÀ©ààÍþ¹©艺½ê´°À®ÉÔλŪ细腻¶Ê线¡£ ÍÑÎÏÃÏÇÄ软²½Î»ÅªààÍþ¸¶ÎÁ¿ä压进Ì϶ñΤ¡¤±ý¿á´ÉΤ¿áÝã°ìľÅþÌ϶ñ°Ê³°ÅªÉôʬÅÔËÄ胀À®µå¾õ为»ß¡£这样Ū话¡¤Ì϶ñΤÌÌŪààÍþ½¢Äê·¿À®碟»Ò¡¤¼©Ñô;ŪààÍþ¸¶ÎÁ°ìΧ²óÚÀÅþÔ°埚ΤÅùÂÔ²¼¼¡ÅªÀ®·¿¡£¾®À¡ÀµÍº²ñÇĽêÍ­Ë×À®为产ÉÊŪààÍþȾÀ®ÉÊÊݸºß¹©ºî¼¼Åª³ÑÍîΤ¡¤²æÁÛ¡¤Â¾Âç³µ²ñ边´ÇÃå这º³Ì¤À®·ÁŪààÍþ¸¶ÎÁ¡¤边设ÁÛÃåÕà们ŪÚ۸²Äǽ吧¡£

¾®À¡ÀµÍºÅªààÍþ´ï»®Í­Ãå¸Å²íËÑÁÇŪ¤·¿¡¤ÂÎ现½ÐλÆü¼°¡ÈÐΡÉŪ风¼ñ¡£¼©这样Ū¡ÈÐΡɺßØ¡ÚÛÀ¼Â©ÃÏ拨动Ãå²æÆ⿴Ū¶×¸¹¡£

·ÐÎò
1979·§Ëܸ©À¸¤Þ¤ì¡¡¡¡Born in Kumamoto
2001ÉÙ»³¥¬¥é¥¹Â¤·Á¸¦µæ½ê¤ò´¶È¡¡¡¡Guraduated from the Institute of glass in Toyama
2005ÉÙ»³¸©Ä«ÆüÄ®¤Ë¤ÆÀ©ºî¡¡¡¡Started making glass works in Toyama
2015´ôÉ츩¤Ë°Ü½»¤·¡¢À©ºî¡¡¡¡Moved to his studio in Gifu
·ÐÎò
1979½ÐÀ¸Ð²·§ËÜ县
2001毕业вÉÙ»³ààÍþ¤·¿¸¦µæ½ê
2005ºßÉÙ»³县Ä«ÆüÄ®进¹Ô创ºî
2015ÇĹ©ºî¼¼°Üµï´ôÉì县


< Á°¤Î¥Ú¡¼¥¸
¼¡¤Î¥Ú¡¼¥¸ >
Á´9·ï [ 1-9 ]